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Hãy viết đoạn tóm tắt về nội dung bằng tiếng việt kích thích người mua: 7 totally normal games that scared the bejesus out of us

Horror games have made terrifying you an art form — be it through a ton of jump scares like the , or an overwhelming sense of dread like . 

But we’re not talking about games that are clearly built to terrify. You can tell these apart by simply looking at the game case and promotional material. I mean the games that look perfectly normal from everything you see, but throw you a scary curveball. It’s these that have left a far bigger impression on us over the years because it’s the fright you don’t expect.

is a game loaded with heavy subject matter. Dollops of criminality are complimented by a central story that surrounds a terminal respiratory illness. So yeah, this isn’t exactly a game of giggles.

In its darkest moments, though, it’s genuinely scary in what’s ostensibly a slightly sarcastic yet melancholic Western that is as likely to serve criminal cowboy Arthur Morgan up a mission where he gets slaughtered on old time whiskey as he is to do genuinely heart-warming deeds, like financially bail out a mother and son he did horribly things to the dad to. 

Anyway, said people-munching mission is grim, and seriously scary. It evokes the uncomfortably claustrophobic, ultra-violent tone of Rockstar’s Manhunt. Tonally, it’s unlike anything else in the game. It’s genuinely frightening, involves some of the most challenging shootouts of the game due to its boxed-in confines and it’s not an experience I want to revisit anytime soon. 

— Dave Meikleham 

, my favorite take on Dr. Jonathan Crane will always be Asylum’s version. And that’s entirely because the foreshadowing before his stealth-focused boss encounters are so expertly handled. 

The moment which instantly springs to mind is the second encounter with Crane, where Bats is suddenly forced to relive the death of his parents via a hallucinogenic sequence that sees a massively ripped man dressed as a flying rodent briefly morph into a blubbering child as he crouches over his deceased folks. It’s an astonishing piece of in-game, mind-bending theatrically, but it’s not scary.

What is truly frightening is the build-up to Batman’s third Scarecrow boss battle. In another ingenious move by Rocksteady, the picture on your TV suddenly starts going on the fritz, with distortion and eventually a full on blackout that made me think Arkham Asylum had genuinely broken my beloved Panasonic plasma panel back in 2009. 

Once the in-game display resets, the opening of the game is brilliantly turned on its head. It’s now Batman tied to a gurney instead of the Joker, as the Clown Prince of Crime and Scarecrow merrily ferry him through the halls of the infamous asylum. It’s a discombobulating moment of script-flipping brilliance that made this A/V obsessive believe the game has broken my very experience TV. For a television geek like myself, that’s the ultimate definition of horror. 

— Dave Meikleham